WEYDEN, Rogier van derNetherlandish Northern Renaissance Painter, ca.1400-1464 | |||
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Miraflores Altarpiece Gemälde ID:: 63934 Siehe Galerie in Schweden |
Miraflores Altarpiece 1440 Oil on oak panel, 71 x 43 cm Staatliche Museen, Berlin The right panel of the Miraflores Altarpiece depicts the risen Christ with his mother.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (right panel) Painted in 1401-1450 , Flemish - - painting : religious 1440_Oil_on_oak_panel,_71_x_43_cm_Staatliche_Museen,_Berlin_The_right_panel_of_the_Miraflores_Altarpiece_depicts_the_risen_Christ_with_his_mother.Artist:WEYDEN,_Rogier_van_der_Title:_Miraflores_Altarpiece_(right_panel)___Painted_in__1401-1450___,__Flemish__-_-_painting__:_religious |
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Miraflores Altarpiece Gemälde ID:: 63935 Siehe Galerie in Schweden |
Miraflores Altarpiece 1440 Oil on oak panel Staatliche Museen, Berlin The scene on the right panel is the only one in this altarpiece that illustrates two events at once: in the foreground we see Christ appearing to the Virgin Mary, while in the background we can see the immediately preceding event, His resurrection on Easter morning. The artist may have thought it necessary to explain the main scene, which was not often painted. The winding road from the tomb to the building in the foreground makes it clear that Christ went to his mother at once, so that she would be the first to experience the joy of reunion with him.Artist:WEYDEN, Rogier van der Title: Miraflores Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious 1440_Oil_on_oak_panel_Staatliche_Museen,_Berlin_The_scene_on_the_right_panel_is_the_only_one_in_this_altarpiece_that_illustrates_two_events_at_once:_in_the_foreground_we_see_Christ_appearing_to_the_Virgin_Mary,_while_in_the_background_we_can_see_the_immediately_preceding_event,_His_resurrection_on_Easter_morning._The_artist_may_have_thought_it_necessary_to_explain_the_main_scene,_which_was_not_often_painted._The_winding_road_from_the_tomb_to_the_building_in_the_foreground_makes_it_clear_that_Christ_went_to_his_mother_at_once,_so_that_she_would_be_the_first_to_experience_the_joy_of_reunion_with_him.Artist:WEYDEN,_Rogier_van_der_Title:_Miraflores_Altarpiece_(detail)___Painted_in__1401-1450___,__Flemish__-_-_painting__:_religious |
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Seven Sacraments Gemälde ID:: 63936 Siehe Galerie in Schweden |
Seven Sacraments 1445-50 Oil on oak panel, 119 x 63 cm Koninklijk Museum voor Schone Kunsten, Antwerp The right wing of the triptych represents the Holy Order, the Matrimony and the Extreme Unction.Artist:WEYDEN, Rogier van der Title: Seven Sacraments (right wing) Painted in 1401-1450 , Flemish - - painting : religious 1445-50_Oil_on_oak_panel,_119_x_63_cm_Koninklijk_Museum_voor_Schone_Kunsten,_Antwerp_The_right_wing_of_the_triptych_represents_the_Holy_Order,_the_Matrimony_and_the_Extreme_Unction.Artist:WEYDEN,_Rogier_van_der_Title:_Seven_Sacraments_(right_wing)___Painted_in__1401-1450___,__Flemish__-_-_painting__:_religious |
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Seven Sacraments Altarpiece Gemälde ID:: 63937 Siehe Galerie in Schweden |
Seven Sacraments Altarpiece 1445-50 Oil on oak panel Koninklijk Museum voor Schone Kunsten, Antwerp The detail of the right panel shows the ordination, the marriage, and the extreme unction. Each sacrament has a side chapel to itself in this panel, so that the architecture a Gothic church ingeniously lies at the heart of the pictorial structure. The range of sacraments begins with the first to be performed in life, baptism, in the foreground of the left panel, and moves on to the last, seen here in the foreground. While the dying man receives extreme unction, his wife stands beside the bed with a candle to place it in his hand at the moment of death.Artist:WEYDEN, Rogier van der Title: Seven Sacraments Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious 1445-50_Oil_on_oak_panel_Koninklijk_Museum_voor_Schone_Kunsten,_Antwerp_The_detail_of_the_right_panel_shows_the_ordination,_the_marriage,_and_the_extreme_unction._Each_sacrament_has_a_side_chapel_to_itself_in_this_panel,_so_that_the_architecture_a_Gothic_church_ingeniously_lies_at_the_heart_of_the_pictorial_structure._The_range_of_sacraments_begins_with_the_first_to_be_performed_in_life,_baptism,_in_the_foreground_of_the_left_panel,_and_moves_on_to_the_last,_seen_here_in_the_foreground._While_the_dying_man_receives_extreme_unction,_his_wife_stands_beside_the_bed_with_a_candle_to_place_it_in_his_hand_at_the_moment_of_death.Artist:WEYDEN,_Rogier_van_der_Title:_Seven_Sacraments_Altarpiece_(detail)___Painted_in__1401-1450___,__Flemish__-_-_painting__:_religious |
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Pieta Gemälde ID:: 87154 Siehe Galerie in Schweden |
Pieta Date c. 1464(1464) Medium Oil on wood Dimensions Height: 35.5 cm (14 in). Width: 45 cm (17.7 in). cjr Date_c._1464(1464) _ Medium_Oil_on_wood _ Dimensions_Height:_35.5_cm_(14_in)._Width:_45_cm_(17.7_in). _ cjr |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| WEYDEN, Rogier van der | ||||||||||
| Netherlandish Northern Renaissance Painter, ca.1400-1464 | ||||||||||
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